Music Memo 1 (English)

May-June 2019 โ€” Grade 12 / Matric โ€” Music

Memo 2019 Grade 12 English
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๐Ÿ“‹ Document Analysis

๐ŸŽฏ 120 marks ๐Ÿ“„ 4 pages ๐Ÿ“ 49 items found ๐Ÿ“š 3 topics ๐Ÿ”‘ 1 key info
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Questions โ€” A Preview of What to Expect in the Document

49
This section provides a quick preview of questions from the document. It may not display every question or the complete wording of each one. For the full content, including diagrams, tables and other information, view the original PDF above.
1.1.4
1.1.5Name the triads at (c\ and (d\ according to type and position. An swer (c\ Maj
1.2Write a sequence for Motif in the space provided An swer Se
1.3Write a mel odi c inversion for Motif as indicated An
1.4Study the music example and follow the instructions.
1.4.1
1.4.2Circle ONE note that is the subdominant note of the new key. An swer orre t an swer
1.4.3Rewrite the chord in the bass clef of bar 2 in the alto clef without key signature. An swer
1.5Identify the scale used in each extract below.
1.5.1An swer Blues scale = 1 mark (1\
1.5.2An swer Pentatoni scale mark
1.6Write down the letter names of any two notes that are enh armoni c equivalents of each other An swer
2.1QUESTION
2.2Complete the opening below to form a twelve bar melody in ternary form for any single line melodic instrument of your choice. Name the instrument and supply a suitable tempo indication. Add dynamic and articulation
Q3โ€” Section header โ€”
3.1Study the extract and answer the questions. An swer usic/P 11
3.1.1Name the key to which the extract modulates from bars 5 8. An swer D maj = 1
3.1.2Identify chords (a\ (f\ and figure them on the score. Use only Roman numerals for figuring, e.g. IV. An swer See sco
3.1.3Name the cadence formed at . Use the space provided. An swer Perfect = 1 mark
3.1.4Name the type of non chordal note at (i\ and (ii\. An swer (i\ Appoggiatura
3.2Study the extract and answer the questions An swer Name of cadence: Imperfect Tipe kadens: Onvolmaak
3.2.1Does this extract m odul ate An swer
3.2.2Identify chords (a\ (f\ and figure them on the score. Use chord symbols above the score, for example B /D An swer
3.2.3ame the type of non chordal notes at (i\
3.2.4ame the cadence in the space provided at in a bar 7 a 8. An
Q4โ€” Section header โ€”
4.1Complete the four part vocal harmonisation below by adding the alto, tenor and bass parts. Concept an swer
4.2Complete the piece below by adding a suitable bass line and harmonic material in the open staves. Continue in the style suggested by the given material in bar 1. Concept answer Th e an
5.1.10(10 1\ (10\
5.2Arre the following statements TRUE or FALSE? Write the answer next to the question number.
5.2.5rue False False True True (5 x 1\ (5\
5.3.7(5 x \ Mark the first
Q6โ€” Section header โ€”
6.1Crescendo and diminuendo played louder and softer in the course of a phrase Sudden sfz used in order to create surprise/shock Opening
6.2Similarity oth orchestral works Differences ymphony lengthy work with
6.3First movement Allegro ma non troppo/Allegro Fifth movement Allegretto orre
6.4Five movements instead of the usual four Fourth movement in Free/Episodical form The last three movements are played immediately after each other without a break in between (as opposed to the 4 detached movements\
6.5Piccolo mark (1\ [10] usic/P 1910
11.1Modern Jazz (Recent years\ has progressive/contemporary harmonic and traditional rhythmic elements Admired trumpeter and flugelhorn player focus is on a solo brass sound Influenced by his own cultural environment
11.2Style influences include: American jazz fusion Wes Montgomery's jazz guitar sound Miles Davis' fusion of traditional jazz with rock music/instruments Any orre
11.3An swer Features Miriam Makeba Dolly Rathebe Thandi Klaasen Voice type Mezzo
11.4Andile Yenana Piano Marcus Wyatt Tr mpet Herbie Tsoaeli
11.5.2FALSE UE orre t an swers
Q13โ€” Section header โ€”
16.1.7orre t an swers = 4 marks (4\
16.2In the process of playing indigenous music and dancing, children are exposed to different African rhythms As they express their musical feelings through dance, they learn new rhythmic patterns Exposure to cross
16.3Paul Simon mark (1\
16.4.1onsertina mark (1\
16.4.2Double mark (1\ [10]10

Topics Identified

3
Music TheoryPerformanceComposition

Mark Allocation

Total120 marks
Sections20 + 15 + 10 + 10 + 15 + 20 + 10 + 5 + 5 + 5 + 5 + 15 + 10 + 5 + 5 + 5 + 15 + 10 + 5 + 5 + 5 + 15 = 215 marks

Key Information

Qualification TypeDiploma

Paper information

SubjectMusic
Year2019
SessionMay-June
TypeMemo
PaperPaper 1
LanguageEnglish
Pages34
Downloads3

Examination context

Decade2010s
Years ago7y
Seasonโ€”
Start dayโ€”
Exam periodโ€”
Days since examโ€”

About Music examination preparation

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Music Paper 1 (English) โ†’

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File size1.37 MB
Pages34
Archived on7 September 2026
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